Vladimir Mayakovsky’s love for cinema began when the poet was just 13 years old. In 1906 his family moved to Moscow. The capital struck the boy with noise and brilliance, but the main impression was the cinema. For the sake of touching this miracle, he was ready for anything – he got the cherished penny or made his way into the halls with a hare, risking being caught. Many years later, already being a successful poet, he never neglected the opportunity to participate in the filming, not only as a screenwriter, but also as an actor.
The first work Mayakovsky, associated with movies, became the film “drama in cabaret futurists # 13.” Mute tape was released in 1914 and now, unfortunately, is considered lost. Continue reading